I'd like to begin thanking everyone that made this performance and recording possible. I would like to start with Sjamsoedin for inviting me to be part of this event and to the wonderful team that worked behind scenes to make it happen. Then I would like to say thank you to Moog Synthesizers for lending me the unit and for the support in such an special occasion, specially Nick that has always supported and encourage me.

This mention is very special because I never thought I would say this but Thanks Fellow Synthesist - Malcom Cecil. For inspiring me before and after meeting you. Thank you for being such pure soul, for your support while patching (hehe) and for every moment shared.

Same goes to Jason, thank you for your energy and support. Playing this instrument was a dream come true but learning there's so many lovely people behind made it better.

Regarding this audio you guys are enjoying - hopefully - I want to mention Mandy a.k.a Jungle of Wires, thank you so much for your kindness recording the session for me. I wouldn't writing any of this if it wasn't for you.

There's one company I would like to mention for helping me create the music I want through their machines, and is Elektron. I change a lot my set up but there is something that never changes and is the analog rytm. Thanks for the technical, moral support and friendship. I don't have enough words to describe how much you guys mean to me.
Specially to Cenk Sayinli, because everything started with you showing me that analog rytm. You inspired me and thanks to that, I started making music again.
Thank you for your help, for your patience and for supporting me in every crazy adventure I get into.

I want to explain how everything is set up (because Cenk has convinced me that you guys might want to know it, and he's probably right lol)

The analog rytm is the master of the moog IIIP. Because this modular system doesn't use MIDI language, I control both sequencers in the moog IIIP sending trigger outputs from the analog rytm to the modular. This way the drum machine and the modular have the same clock/bpm.

I had 6 different sounds - mainly basslines going on thru the same sequencers.

Most of them are square waves - sometimes square and triangle waves sent to the filters (low pass, bandpass and high pass) and then processing it thru the reverb or the attenuators. The last module in the chain is always the filter.

Most of the changes come from changing the frequencies in the filter, resonance and from tweaking the octaves in the oscillators and the sequencers, depending on the sound being played.
I would say my the most important modules in this set up are the Fixed Filter Bank and the Voltage Controlled Oscillator.

One of the most important features I made use of in the analog rytm was the sampler. Sampling those sounds, putting them into the sequencer and changing them in real time, helped me to change between the tracks, giving me enough time to change the patch.

If you have further questions about this set up don't hesitate asking me.

I sincerely hope you enjoy it - may the force be with you.

Young Padawan